Unless you’ve been living on Mars the past few years, you can’t help but have been sucked into the hype surrounding the reboot of the Doctor Who franchise, with Doctors Christopher Eccleston and David Tennant and then moving onto current incarnation Matthew Smith. Even if you have been living on Mars, you can still catch the shows within an hour depending on where we and the red planet are in our respective orbits. The current series restarts tonight in the UK (and very probably in the US too as they’re so much better synchronized nowadays) so today of all days feels appropriate to post on the connections between Johnny Mackintosh and the sole surviving Time Lord from Gallifrey.
I grew up with Dr Who, John Pertwee being my first Doctor but Tom Baker the main and best one from my youth. Although there was a time when the ridiculous TV schedulers put it up against Gerry Anderson’s Space 1999 (Moonbase Alpha won that particular battle for me way back then) I’ve watched Who pretty much all my life when available. The paperback of Johnny Mackintosh and the Spirit of London contains all sorts of time travelling adventures, and my publisher Quercus even referenced Doctor Who on the cover (we’ll swiftly gloss over the mention of Alex Rider).
When I first heard Eccleston was leaving and Tennant was taking over, I was very disappointed – how wrong was I? For me, David Tennant now bestrides the Who universe as the greatest of all Doctors, not least because he so clearly loved the role when it always appeared Eccleston felt a little above it.
For Who trivia fans there’s a great scene in the movie Jude (starring Eccleston as the title character) where the man Jude is drinking in an Oxford bar. He’s slagging off the Oxford scholars and ends up in a slanging match with one such, none other than Tennant himself. While Tennant’s character fits effortlessly into his surroundings, Eccleston’s Jude is deliberately awkward and it’s always reminded me of their respective Doctoral personas.
Perhaps it’s a precursor to Moffat doing one of those Five Doctor specials with everyone returning to save the universe from a particularly thorny problem?
Although Russell T Davies was the man who brought Who back onto the small screen, many people would say it was the writing of Steven Moffatt that really stood out. He penned such seminal Tennant episodes as “Blink” and “The Girl in the Fireplace” (pictured). I had a long chat with Moffat, lead writer and executive producer of Dr Who at this year’s Royal Television Society awards – Moffat had won a gong for lifetime achievement while at least I’d been rewarded with a very lovely dinner. We talked for a long time about our shared love of the show and he even said he’d try the Johnny Mackintosh books out on his kids.
The brilliance of Who is that it’s true entertainment for all the family. It’s become a televisual event – one of those must-watch shows that’s talked about by the watercooler. Great writers such as Moffat occasionally borrow and it seemed to me that “The Girl in the Fireplace” owed much to Audrey Niffenberger’s The Time Traveler’s Wife.
In Johnny Mackintosh: Battle for Earth I borrowed what I thought was one of the great lines from Doctor Who himself. They’re the very final five words spoken by Tennant’s Doctor: “I don’t want to go”. You’ll have to read #JMB4E to see why they’re spoken, but echoing Tennant’s lines was partly put into the book as a thank you to Tennant and Moffatt for the great pleasure they’ve given me in watching their work.
One of the strands of Doctor Who, certainly in the recent reboot, has been the way the Doctor’s time travelling influences real events. Those of you who’ve read Johnny Mackintosh and the Spirit of London will know that’s a strong theme of the first book in my own series.
Interestingly, I can’t help feeling that the influence might sometimes have gone the other way. The Piccadilly, one of the Spirit of London’s shuttle craft is in the form of a flying London double-decker bus, something used later on Who in the Easter special episode, “Planet of the Dead”. Then, as we reached the halfway point of the current series there were headless monks dressed in scarlet robes at Demons Run (in the episode “A Good Man Goes to War”). These looked pretty much deadringers for my own (also headless) Owlessan Monks who first appeared in Johnny Mackintosh: Star Blaze and continue through Battle for Earth.
Like all fans, I can’t wait to discover how the current series arc all fits together. The curse of being a writer is that you often can’t help spotting the subtle clues planted along the way, so right now I’m confident of a lot of good guesses, but doubtless there’ll be plenty of surprises too. If you’re a fan of the Doctor and haven’t yet read any of my books I’d definitely recommend you start at the beginning with Johnny Mackintosh and the Spirit of London.